Banging Cabinets
I had almost forgotten
how quickly change can happen.
The day may appear almost
calm in the morning. But then,
without warning,
a cabinet door in the kitchen
bangs shut,
just one, at first . . . just one.
Fight, flight, freeze.
Wait for the inevitable echo
to reach the den.
Another door bangs shut. Then,
in rapid succession,
three or four more
pop like popcorn,
a burst of gunfire.
Maybe, one last bang for luck.
Morning songbirds
turn to a murder of crows,
an unkindness of raven, in a flip
of a switch, without warning.
It might be too late.
-
Naming My Friends
when I die,
you will recognize me by my tattoo.
—Zeina Hashem Beck
I am listening to Pentatonix
and Walk Off the Earth on YouTube
when a video of your
recitation of “Naming Things”
queues up next. And that poem
carries me like a refugee on its back,
packed in a duffel bag, rucksack, kit bag
with all its worldly belongings.
We are on the lam,
running from our past.
I carry my home with me,
or it might be carelessly dragged
in the dirt behind me.
I have been naming my friends—
loneliness, darkness, regret.
And I fear I will never return
to the city where I was born. The walls
have crumbled like Jenga,
and we are suddenly nomads again.
I have named myself “goodbye.”
And the bombs have fallen,
strafing our memories, our recollections,
our nostalgia. I survive because
I carry my whole life with me
in this rucksack on my back.
-
Dear Poet
I want to ask you about technique
and your reasons for doing one thing one way
as opposed to some other. Should I
do it that way too? Is there a method?
Could I borrow your mindset
or, maybe, some madness?
Where should one line break?
Should I combine multiple lines to make one very long line? Should I
chop them
into tiny phrases
or drop them
one
word
for
each
line
on the page?
It is important to know these things:
technique and reason.
But which
is more important?
When should I indent?
Or should I?
Or should I
repeat the last line?
-
"
Banging Cabinets," "
Naming My Friends," and "
Dear Poet" each won 1st place in their respective contest categories in the
Poetry Society of Texas's 2021 Contests and are published in the Society's
2022 A Book of the Year.
Eric